Fotografia subacquea e non solo...
Not just underwater photography...
by STEFANO CALCABRINI
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Interview with:
Domenico Drago
29 - October - 2004

When and with what equipment have you taken your first underwater shot?

My first underwater shot was in 1970, and my camera was a Calypso/Nikkor II with a 35 mm lens and a black and white Ilford HP5 film, and I didn't use flash.

How did your underwater photography passion start?


Skimming through "Mondo Sommerso" and reading Hans Hass and William Beebe, watching the photos by Maurizio Sarra, Roberto Merlo, Ludwig Sillner, Dietman Reimer, Victor De Santis, which were published on that review.

What does the underwater photography represent to you?

To make concrete moods and emotions that could fade away.

Amongst the numerous prizes and recognitions you received, which one gave you most satisfaction?

Every single prize is connected to a growing step in this my photographic path, so I can't say and assert that winning the "Best slides" in California was more exciting than my first "Plonger d'or" in Antibes. What gives me "most satisfaction" is to realize "multivision" meetings, to make visual poems by Pablo Neruda, who was intimately linked to the sea.

What type of images do you prefer and which lens stimulates you most?

I have not particular preferences, the worth thing to me is to stay in a particular point in the sea and use the right lens.

When you started taking pictures, did you have a point of reference? May be a person? And where have you learnt the techniques to succeed?

I started taking underwater pictures in 1970 to support with documents my graduation thesis " A contribution to the study on sea biocenosis in the western coast of the Palermitan gulf". My points of reference were Victor De Santis and his survey on "Mondo Sommerso" and Ludwig Sillner's book "Underwater fishing by a camera", Calderini edition 1600 italian liras. Later I found my point of reference in a little book by Gart Krinkle, "Foto-sub", and also in that one by Walter Muller. Finally trying to understand my numberless faults.

What equipment do you use to take your pictures?

- Hughy for Pentax LX and for Nikon F90X cases.
- Yellow sub 350, yellow sub 120, K50, Subatec S100 and Isomat 33 flash
- Velvia 50 and 100 ASA films.
Sometimes Nikonos III with 15 mm. The other lens that were my companion for more than 20 years have now retired.

Many people may have asked you advises on the where and the what and the how to take pictures underwater. Yourself, what is the best advise you have ever received?

I'm a sensitive man, so, I think, "to be cool" was the best advise I received from my friend and master Danilo Cedrone.

Based on your experience, what are the fundamental components to make a "perfect" picture?

I don't believe perfect pictures exist, at least as regards my portfolio and according to what I could think. Pictures, which are extremely well turned out, can exist. I succeed in taking them when I'm in a sensitive mood and my emotional approach is symbiotic with the environment where I am.

Is there a shot that you particularly remember?

I prefer expectations to memories, so the shot that get me excited most didn't come yet…in the case I want!

The place or the dive that you liked most?

Marcel Proust, the French writer, said you need not see always different places but to look at the same places with different eyes. That is why "my" place is Ustica, the isle where I have been going for 40 years and where fortunately I enjoy the privilege to own a little blue house nearby the port.

On the other hand, the place or dive that disappointed you most?

The very few disappointments I had, weren't due to the places but to my mood which, in that moment, was not in harmony with that particular environment.

In your long experience as underwater explorer have you ever been in a difficult situation, scared, or in danger?

At Maldive Islands, in an oceanic pass of the isle of Alimatha because of a great current to the open sea. They salvaged me by some "coconuts" bended to a hemp line that I kept under my armpits while two natives drew me under the "doni" (boat). My hands were engaged in keeping the case.

To conclude, what is on top of your dreams?

Easter Island, to interpret by images Pablo Neruda's verse taken from the book "the separated rose" that the poet wrote being inspired by that island.

Domenico, many thanks for your time and kindness. Good luck!

It would be better dreams come true later and later, so that you feel your lifetime be longer.
Ciao, thank you Mimmo


Domenico Drago's Phothos













Domenico Drago's books


272 pag. - 205 photos
Form.: 34 x 24,5 cm Italian and English
Ed. L'Epos 1999


120 pag. - 48 photos B/W - 55 photos Col.
Form.: 24 x 15 cm Ed. L'Epos 1997



Domenico Drago's links
multivisione_mare@virgilio.it